Visual context for B-Side Project launches 2017 Global Remix Contest.
As audio mastering engineers, we constantly seek fresh talent and revolutionary initiatives that bridge the gap between technical production and pure musical creativity. In a massive development for independent producers, composers, and sound designers worldwide, the electronic music community is buzzing with excitement because the b-side project launches 2017 global remix contest. Now in its seventh consecutive year, this prestigious global platform offers a unique workflow: pairing fifty original tracks from various genres with global electronic music producers. The contest, held in association with Sound On Sound and sponsored by Prism Sound, creates an invaluable networking hub and career-boosting opportunities.
Mastering and Production Insights: B-Side Project Launches 2017 Global Remix Contest
With the official announcement that the b-side project launches 2017 global remix contest, electronic producers have a rare avenue to showcase their mixing and arrangement prowess to industry professionals. Registration is officially open, and musicians of all genres are invited to submit their original tracks. Once the shortlist is finalized, electronic music producers from around the world will get to work, remixing these selections before the tight end-of-October deadline. The incentive is massive, with a prize package worth over $20,000, including a Prism Sound Lyra Pro Audio Interface, custom-made ear protection from ACS, acoustic treatment from GIK Acoustics, and innovative hardware from ROLI.
As the b-side project launches 2017 global remix contest, the technical expectations for submissions are higher than ever. To achieve the surgical clarity and massive dynamic range needed to win such a high-profile competition, leveraging advanced DSP tools from industry-leading developers like iZotope is highly recommended. Original artists and remixers alike must focus on phase coherence, spectral balance, and headroom to ensure their submissions translate beautifully across different playback systems.
By understanding the sonic ecosystem fostered when the b-side project launches 2017 global remix contest, engineers can prepare their stems with meticulous precision. High-quality stem preparation is the foundation of any great remix; separating key elements like low-end transients, mid-range vocals, and high-frequency effects allows the remixer ultimate creative freedom. If you are preparing stems or final masters for submission, exploring professional mastering standards is crucial; you can find deep-dive guides on our SM Mastering Audio Articles page.
Ultimately, when the b-side project launches 2017 global remix contest, it raises the bar for what independent artists can achieve with the right tools. The ultimate prize winner will not only receive world-class studio hardware but will also be invited to watch their winning track being mastered at the legendary Metropolis Studios. This provides an unparalleled look into the elite mastering workflows that separate amateur mixes from commercial hits.
Key Gear & Prizes Highlighted in the Contest
To help you understand the calibre of gear associated with this year’s contest, we have compiled a specifications table of the prominent tools and prizes featured in this global event:
| Name | Use | Price | Rating |
|---|---|---|---|
| Prism Sound Lyra 1 | Reference-grade USB Audio Interface | $2,100 | 4.9 / 5.0 |
| GIK Acoustics Panels | Professional Room Treatment & Acoustic Control | $150+ (per panel) | 4.8 / 5.0 |
| Shure Microphones (SM7B/KSM series) | Vocal & Instrument Tracking | $399+ | 4.7 / 5.0 |
| Metropolis Mastering Session | Legendary Stereo & Stem Mastering Service | Priceless (Prize) | 5.0 / 5.0 |
Practical Studio Workflow Tips for Contestants
- Organize and Clean Your Stems: Before sending files, ensure all tracks are consolidated from zero, clearly labeled, and free of clicks, pops, or unnecessary noise.
- Keep the Headroom Intact: When bouncing your final remix mixdown, aim for a peak level between -3 dBFS and -6 dBFS. Avoid heavy limiting on the master bus so the final mastering engineer has room to make your track shine.
- Focus on Mono Compatibility: Ensure your low-end (sub-bass and kick) remains centered in mono to avoid phase cancellation on club soundsystems.
Conclusion
The 2017 iteration of this global remix project represents a massive milestone for independent music production. By combining the talents of singer-songwriters with cutting-edge electronic music producers, the event fosters genuine global collaboration. Ensure your monitoring environment is optimized, your gain staging is clean, and your creative vision is bold. Register today and take your production career to the global stage.
Frequently Asked Questions
Q: What is the deadline for entering the B-Side Project 2017 contest?
A: Original track registrations must be submitted before June 30th, after which the shortlisted tracks will be paired with remix producers who have until October 31st to submit their final remixes.
Q: What does the overall winner of the remix contest receive?
A: The winner receives a prize package worth over $20,000, including a Prism Sound Lyra Audio Interface, acoustic treatment from GIK Acoustics, custom ear protection, Shure gear, and an exclusive mastering session at Metropolis Studios.
Q: Can producers from any country enter the competition?
A: Yes, this is a fully global remix contest designed to build networks between musicians, electronic music producers, and the wider international music industry.
Written by SM Mastering
Official content on sound engineering, mixing, mastering, and advanced electronic production by SM Mastering.