In the realm of dynamic signal processing, manipulating the envelope of an audio signal remains one of the most powerful ways to reshape transients, build cinematic soundscapes, and introduce organic movement to synthetic sources. While studio engineers have historically relied on complex noise gates, VCA expanders, or manual DAW automation […]
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Electro Harmonix Mono Synth – NAMM 2019 | SM Mastering
The winter NAMM show is always a hotbed for groundbreaking music technology, and our team at SM Mastering has been analyzing some of the standout releases from recent years. One pedal that captured the imagination of guitarists and synthesists alike was the electro harmonix mono synth – namm 2019 launch. […]
Read MoreKRK Rokit G4 – NAMM 2019 | SM Mastering
The landscape of nearfield studio monitoring experienced a significant shift at the beginning of 2019. As professional mastering engineers, we are constantly hunting for monitoring tools that provide reliable translation accuracy without demanding five-figure budgets. During our coverage of the winter trade events, the debut of the krk rokit g4 […]
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Artnovion’s Corner and Bass Traps feature TPDA tech | SM Mastering
Visual context for Artnovion's Corner and Bass Traps feature TPDA tech. At SM Mastering, we understand that managing low-end frequencies is one of the most challenging aspects of studio design. This is why we are closely examining how Artnovion’s Corner and Bass Traps feature TPDA tech to revolutionize modern acoustic […]
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Sylphyo wind controller becomes standalone instrument | SM Mastering
Visual context for Sylphyo wind controller becomes standalone instrument. The music technology landscape is shifting rapidly, especially as the **sylphyo wind controller becomes standalone instrument** tech that wind players can use anywhere without a computer. French developer Aodyo has pioneered unique electronic wind instrument (EWI) designs, distinguishing themselves by creating […]
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64 Audio upgrade their A2e custom IEMs | SM Mastering
Visual context for 64 Audio upgrade their A2e custom IEMs. As mastering engineers, we understand that translation is everything. How your mix sounds in the studio must accurately project to the consumer, whether they are listening on high-end monitors, consumer headphones, or custom in-ear monitors (IEMs). It is always exciting […]
Read MoreKali Audio show us their affordable LP6 monitors | SM Mastering
As seasoned mastering engineers at SM Mastering, we are constantly evaluating new playback systems to see how they translate in various environments. When industry veterans at Kali Audio show us their affordable LP6 monitors, the entire home studio market takes notice. Originally announced at the AES Convention in New York, […]
Read MoreDPA’s new 3mm subminiature mics are vanishingly small | SM Mastering
As audio professionals, we are constantly evaluating the frontier of microphone technology. The industry is buzzing because dpa’s new 3mm subminiature mics are vanishingly small without compromising on audio quality. For years, engineers had to choose between visual transparency and raw acoustic fidelity. Typically, shrinking a capsule meant sacrificing dynamic […]
Read MoreControl app launched for Neumann KH80 DSP monitors | SM Mastering
At SM Mastering, we are constantly analyzing how advancements in speaker technology impact the translation of our master files across diverse playback systems. When the Neumann KH80 DSP series first landed on our test benches, its physical acoustic precision was immediately clear, yet its powerful internal digital signal processing remained […]
Read MoreAmphion unveil the FlexBase25 bass system | SM Mastering
Traditional subwoofers have long been the bane of professional mastering and mixing engineers. While they promise to deliver the elusive lowest octaves of human hearing, they frequently introduce a host of acoustic issues, including phase cancellations, crossover smearing, and translation discrepancies. At SM Mastering, we understand that accurate low-frequency reproduction […]
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