At SM Mastering, we are always on the lookout for tools that bridge the gap between vintage aesthetic appeal and modern acoustic precision. One such tool that has captured our attention is the Sontronics Corona dynamic microphone, which we first caught wind of during the summer namm 18: sontronics corona […]
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Summer NAMM 2018: Eventide Powermax | SM Mastering
When it comes to maintaining an ultra-quiet, high-fidelity signal path in both live and studio environments, clean power is non-negotiable. At the landmark industry event, the **summer namm 2018: eventide powermax** was officially introduced, changing the way musicians and audio engineers structure their pedalboard power distribution. By collaborating with the […]
Read MoreSummer NAMM 2018: Smashmouse | SM Mastering
The quest for seamless ergonomics in the modern recording studio is an ongoing journey. For self-recording artists, the physical act of tracking instruments while managing a Digital Audio Workstation (DAW) often leads to disjointed creative workflows and technical frustration. During our coverage of the historic Nashville event, one particular innovation […]
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Moog debut semi-modular Grandmother synth | SM Mastering
Visual context for Moog debut semi-modular Grandmother synth. When Moog Music announced their latest creation at Moogfest, the industry took notice. The moog debut semi-modular grandmother synth has quickly become a cornerstone of modern electronic music production. Featuring a built-in arpeggiator, step sequencer, and a genuine physical spring reverb tank, […]
Read MoreSuperbooth 2018: Polyend/Dreadbox Medusa | SM Mastering
The electronic music production landscape shifted significantly when the **superbooth 2018: polyend/dreadbox medusa** collaboration was first introduced to the public. Combining the raw, uncompromising analog warmth of Greek synthesizer pioneers Dreadbox with the innovative, forward-thinking digital sequencing expertise of Poland’s Polyend, this hybrid machine stands out as a landmark instrument. […]
Read MoreMesse 2018: Avantone AV10MHF & AV10MLF | SM Mastering
The legendary status of the Yamaha NS-10M is undisputed in the professional recording industry. For decades, these white-coned monitors have served as the ultimate litmus test for midrange translation. However, since Yamaha discontinued production of the original drivers, maintaining these classic monitors has become an increasingly difficult chore. Fortunately, the […]
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Messe 2018: Elysia Skulpter 500 | SM Mastering
Visual context for Messe 2018: Elysia Skulpter 500. In the evolving landscape of professional audio recording, the quest for the ultimate front-end signal path remains a top priority for engineers and producers. During our coverage of the Frankfurt music trade show, the groundbreaking release of the messe 2018: elysia skulpter […]
Read MoreMesse 2018: RME Digiface AVB & Dante | SM Mastering
The transition of professional recording environments to networked audio protocols has been one of the most significant architectural shifts in modern studio history. When we look back at the profound impact of the messe 2018: rme digiface avb & dante announcement, it becomes clear that RME anticipated the industry’s need […]
Read MoreMesse 2018: Casio CT-X series | SM Mastering
As mastering engineers, we are constantly analyzing how different sound sources translate across diverse playback systems. During our retrospective analysis of landmark synthesizer and keyboard releases, one particular lineup stands out for democratizing high-fidelity acoustic emulation in the portable arranger market. Revealed at the Musikmesse trade show, the messe 2018: […]
Read MoreMesse 2018: Audio-Technica ATH-M60x | SM Mastering
At the Musikmesse trade show in Frankfurt, Audio-Technica unveiled an exciting addition to their critically acclaimed M-Series monitoring lineup. Officially introduced as the messe 2018: audio-technica ath-m60x professional monitor headphones, these cans target broadcast, studio tracking, and mobile production environments. Combining the powerful sonic performance of their predecessors with a […]
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