Visual context for Jones-Scanlon add main monitors to Red series.
The high-end monitoring landscape has just shifted dramatically with an exciting announcement from the acclaimed Australian audio manufacturers. As class-leading mastering and mixing engineers, we always keep our eyes on hardware breakthroughs that promise unparalleled acoustic accuracy. The big news of the season is that jones-scanlon add main monitors to red series with the introduction of their massive new “Big Reds” systems. Designed to deliver uncompromising depth, transient response, and extreme power, these monitors aim to elevate control rooms worldwide.
By introducing the Big Reds, we see how jones-scanlon add main monitors to red series to fill the demand for true full-range main monitoring. These beasts house two 10-inch woofers, a dedicated 6.5-inch midrange driver, and a high-frequency bullet tweeter in a substantial cabinet weighing 60kg. Running a highly advanced internal DSP engine at 192kHz, they overcome the classic acoustic anomalies found in many commercial control rooms. Just like the premium hardware monitors designed by industry giants like Neumann, the Big Reds bring ultra-linear performance to critical listening spaces.
Why Jones-Scanlon Add Main Monitors to Red Series
The engineering behind the Big Reds shows exactly why jones-scanlon add main monitors to red series with active Class-D amplification across the entire frequency range. Delivering massive headroom, they reach down to a staggering 28Hz without needing an external subwoofer. This low-frequency reach is aided by a 35Hz high-pass filter that facilitates safe high-SPL operations during tracking and playback sessions. Furthermore, the built-in 98Hz boost option is meticulously calibrated to mitigate standard desk or console-induced reflections, highlighting why professional studios should pay attention when jones-scanlon add main monitors to red series.
Additional product view and interface angle for Jones-Scanlon add main monitors to Red series.
Whether you prefer soffit-mounting for seamless acoustic integration or freestanding configurations on heavy-duty stands, these main monitors adapt effortlessly. The flexibility of these monitors is a primary reason why we at SM Mastering Audio Articles believe this release is a game-changer for modern control rooms. Each unit is built to order, offering bespoke RAL color options alongside their signature red gloss finish. When jones-scanlon add main monitors to red series, they aren’t just selling a product; they are providing custom-tailored mastering-grade monitoring systems.
Technical Specifications
| Name | Use | Price | Rating |
|---|---|---|---|
| Jones-Scanlon Big Reds | Main Monitoring / Studio Mastering / High-SPL Tracking | $22,950 AUD (approx. $16,525 USD) per pair | 4.9 / 5.0 |
Practical Studio Workflow Tips for Main Monitors
- Optimize Low-Frequency Integration: Utilize the onboard 35Hz high-pass filter when pushing the monitors to extreme SPLs during tracking to prevent driver over-excursion and maintain transient clarity.
- Address Console Reflections: Engage the 98Hz boost option if your acoustics suffer from the typical console-desk reflection dip. This custom DSP curve is engineered to restore flat low-mid response.
- Choose Your Mount Wisely: The 60kg cabinet is designed for either soffit (flush) mounting or robust stand-mounting. For mastering-grade precision, soffit-mounting eliminates front-wall reflections and boundary interference.
Conclusion
The addition of the Big Reds to the Jones-Scanlon lineup marks a major milestone for premium recording and mastering environments. By merging DSP precision, immense Class-D amplification, and meticulous driver design, this new release guarantees that professionals can trust their low-frequency translation down to 28Hz. These monitors set a new benchmark for what main monitoring should feel and sound like.
Additional product view and interface angle for Jones-Scanlon add main monitors to Red series.
Frequently Asked Questions
What is the benefit of the 192kHz internal DSP?
The onboard DSP runs at 192kHz to ensure zero latency and ultra-high-resolution audio processing. It handles crossovers, phase alignment, and specialized EQ curves—such as the 98Hz room-correction boost—without degrading the input signal quality.
Can the Big Reds be customized in colors other than red?
Yes. Although they come in a stunning high-gloss red finish as standard, Jones-Scanlon builds each pair of Big Reds to order. This allows clients to request custom cabinets in any paint finish or RAL color of their choice.
Additional product view and interface angle for Jones-Scanlon add main monitors to Red series.
Do these monitors require an external amplifier?
No, the Big Reds are fully active. They employ high-efficiency Class-D amplifiers integrated directly inside the 60kg cabinet, providing optimal power distribution to the dual 10-inch woofers, midrange driver, and bullet tweeter.
Additional product view and interface angle for Jones-Scanlon add main monitors to Red series.
🛒 Official Product Info & Where to Buy
Check full technical specs, pricing, and purchase options directly from the official manufacturer or authorized dealer for Jones-Scanlon add main monitors to Red series.
Written by SM Mastering
Official content on sound engineering, mixing, mastering, and advanced electronic production by SM Mastering.