Visual context for New high-end MTM monitor from OS Acoustics. At SM Mastering, our pursuit of sonic perfection requires us to constantly evaluate the latest advancements in electro-acoustic engineering. Following the critical success of their debut DB7 nearfield monitors, Bournemouth-based manufacturer OS Acoustics has unveiled a striking new addition to […]
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Prism Sound launch Dream ADA-128 | SM Mastering
Visual context for Prism Sound launch Dream ADA-128. As mastering and mixing engineers, our pursuit of sonic transparency is an ongoing journey. For nearly two decades, the legendary ADA-8XR stood as the undisputed gold standard for high-end conversion, relied upon in the world’s most prestigious mastering houses. However, a new […]
Read MoreTokyo Dawn breathe new life into Molot | SM Mastering
Visual context for Tokyo Dawn breathe new life into Molot. As mastering engineers at SM Mastering, we are always on the lookout for unique color compressors that offer both surgical precision and musical character. Back in 2011, the original Molot compressor by Vladislav Goncharov (Vladg) became an instant cult classic […]
Read MoreJones-Scanlon add main monitors to Red series | SM Mastering
Visual context for Jones-Scanlon add main monitors to Red series. The high-end monitoring landscape has just shifted dramatically with an exciting announcement from the acclaimed Australian audio manufacturers. As class-leading mastering and mixing engineers, we always keep our eyes on hardware breakthroughs that promise unparalleled acoustic accuracy. The big news […]
Read MoreRemember AES 2017: Coleman Audio CA500EQ (Video) | SM Mastering
At SM Mastering, we closely monitor industry milestones that shape the sonic landscape, and the aes 2017: coleman audio ca500eq (video) presentation remains a landmark moment for mastering engineers seeking pristine analog tone shaping. When Glenn Coleman introduced this four-band stereo equalizer at the Audio Engineering Society convention in New […]
Read MoreRemember AES 2017: Dangerous Music Convert-AD+(Video) | SM Mastering
During our coverage of the Audio Engineering Society convention, we witnessed several stellar hardware reveals, but few generated as much excitement as the aes 2017: dangerous music convert-ad+(video) showcase. As mastering engineers, we are constantly on the lookout for tools that bridge the gap between pristine digital accuracy and rich […]
Read MoreThe Whitestone Audio P331 is all about classy, subtle harmonics | SM Mastering
In the high-stakes world of professional stereo mastering, achieving that elusive sense of depth, dimension, and cohesive glue without sacrificing transient detail is a delicate balancing act. Many digital processors try to emulate the warmth of analog hardware, yet they often fall short of replicating the complex physical interactions of […]
Read MoreSSL Fusion analogue colouration box debuted at AES | SM Mastering
At SM Mastering, we are constantly tracking hardware innovations that can elevate the sonic quality of our clients’ tracks. Few hardware releases have created as much excitement in the modern hybrid studio landscape as when the ssl fusion analogue colouration box debuted at aes. Designed specifically for the modern hybrid […]
Read MoreSSL Fusion aims to bring analogue character to in-the-box mixes | SM Mastering
Visual context for SSL Fusion aims to bring analogue character to in-the-box mixes. In the modern hybrid studio, finding the perfect balance between digital precision and organic warmth is a constant pursuit. This is why the ssl fusion aims to bring analogue character to in-the-box mixes by offering five distinct, […]
Read MoreBettermaker introduce Mastering Equalizer | SM Mastering
At SM Mastering, we are constantly on the lookout for hardware that seamlessly bridges the gap between legendary analog warmth and modern digital convenience. When Bettermaker built their stellar reputation with remote-controlled analog processors, they redefined the modern studio workflow. Following the massive success of their Mastering Limiter—lauded by top […]
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