How To Use Mautopitch FREE AUTOTUNE
How To Use Mautopitch In the dynamic world of music production, auto-tune has evolved beyond a mere plug-in; it’s now an indispensable effect in the industry. From achieving the distinctive hard-tune sound of artists like T-Pain and ASAP Rocky to refining vocals for harmonious melodies, auto-tune is a necessity. However, premium options like Antares’ Auto-Tune, Melodyne, and Soundtoys’ Little AlterBoy can be financially daunting.
Enter Mautopitch by Melda Productions – a versatile and free auto-tune plug-in designed with the budget-conscious bedroom producer in mind. The burning question: Can a free tool stand up to its premium counterparts? Today, we dive into the capabilities of Mautopitch, exploring whether it’s a worthwhile addition to your production toolkit.
What is Mautopitch?
Mautopitch is a straightforward yet powerful automatic pitch correction plugin tailored for vocals and monophonic instruments. Beyond pitch correction, it offers creative features like formant shift and stereo expansion. The best part? It’s quick, user-friendly, and absolutely free! Mautopitch is part of Melda Productions’ free plugin suite, a treasure trove that we’ll delve into later.
For producers on a budget, Mautopitch proves to be a game-changer. Compatible with AAX, VST, and AU formats, it seamlessly integrates with popular DAWs like Pro-Tools, Logic Pro, Cubase, and Ableton. While Antares’ Auto-Tune may reign supreme in the market, priced at $400, Mautopitch strikes a balance between simplicity and essential features. And yes, it’s a free auto-tune plugin – a deal that’s hard to resist!
Who is Mautopitch For?
You’re a budding producer, crafting beats for some time, and now you have a rapper or vocalist eager for your production expertise. They record their part, and as you delve into editing the vocal tracks later, you encounter a challenge – off-pitch vocals resembling a slide whistle. On top of that, the artist envisions a Travis Scott vibe. Fear not; Mautopitch is your savior. Perfect for light-tuning and vocal cleanup, it caters to the inevitable tasks producers often face. Beyond vocals, Mautopitch is versatile, seamlessly working with various monophonic audio signals, from violins and horns to leads and more.
Do I Need Mautopitch?
While we can’t read minds, if you lack pitch correction software or plugins, grabbing Mautopitch is a no-brainer – especially considering it’s free. Even if you own Melodyne, Auto-Tune, and Little AlterBoy VST plugins, Mautopitch is a worthy addition. Logic Pro users, despite having built-in auto-tune, might find Mautopitch a superior alternative.
Is Mautopitch Good?
We give the Melda MAutoPitch VST plugin a solid 8/10. Mautopitch, the free auto-tune plugin, is undoubtedly a valuable asset. In comparison to high-end pitch correction plugins, Mautopitch falls slightly short in customizability. Yet, for a free tool, it excels. While lacking fine control and sporting a somewhat outdated UI design, Mautopitch shines with natural and smooth pitch correction on milder settings. The width control is a welcome feature, offering assistance in perfecting the stereo field. In essence, Mautopitch is the antithesis of Melodyne – a set-it-and-forget-it kind of tool.
Is Mautopitch Free?
Yes, Mautopitch is indeed free. As a bonus, it comes as part of the Melda Production Free FX suite, a collection boasting 37 separate effects, analyzers, EQs, saturators, and more. No typo here – 37 free FX plugins await your download and use in your productions. For enthusiasts of intriguing plugins, grabbing this bundle is a no-brainer, fostering a sense of community among MautoPitch users through an integrated preset database.
Mautopitch Tutorial (How To Use Mautopitch?)
Now that you have the AAX, VST, or AU plugin downloaded and operating in your chosen DAW, the next steps beckon. The Automatic Tuning section houses typical pitch correction settings like Retune speed, Depth, Frequency base, and a Detune knob. The Effects section contains sound manipulators such as Width, Formant, and Dry/Wet controls. Key signature controls sit at the bottom, providing simplicity for tuning vocals.
How To Use Mautopitch on Vocals
After familiarizing yourself with the UI, you’re eager to try it on a vocal track. This part requires practice, as there’s no one-size-fits-all setting. Every vocal and producer is unique. Begin by selecting the correct key signature for your vocal, and if uncertain, opt for the Chromatic scale. Adjust the retune speed based on your desired effect – higher for a hard-tune Travis Scott sound, lower for a more natural tone. Beyond key signature and retune speed, experiment with formants, width, and depth to tailor your sound. Trust your ears; if our guidelines don’t align with your vision, experiment and listen critically.
What Else Can I Use Mautopitch For?
While vocals take center stage, Mautopitch isn’t limited to them. Any monophonic signal – leads, strings, guitars, and more – can benefit from Mautopitch. However, it’s not the go-to choice for tuning bass, especially fretless bass. Despite this limitation, Mautopitch excels with melodic monophonic signals.
Mautopitch Presets (Where Can I Download Them?)
MAutoPitch presets reside in a system database, accessible from any project in any host. The plugin facilitates the automatic sharing and downloading of presets from other users. This integrated approach to presets sets Mautopitch apart, fostering ease of use and a sense of community among users.
Melda Productions’ Mautopitch stands out as the premier FREE automatic pitch correction plug-in currently available. In a landscape where costly options like Auto-Tune exist, Mautopitch’s excellence shines through, offering a well-designed and free alternative. In an era where auto-tune is omnipresent in radio hits, having a pitch correction tool like Mautopitch in your production toolkit is essential. And with that, we conclude. For more free plugins, explore our extensive list of FREE plug-ins. Alternatively, discover our selection of the 50 best plugins of 2020.
With over 8 years of hands-on experience in the music industry, Harry has navigated successful raves, shared stages with industry heavyweights like Max Chapman, DJ EZ, DJ Zinc, and more (pictured below), had his music broadcasted on national radio, DJ’d on live radio, produced until he loathed every song, mixed until his ears bled, created sample packs from scratch using just a Zoom H1n and some sound design skills – in essence, anything related to music production, he’s done it, tested it, and tried it.